SUMMERTIME, the latest forward-thinking initiative spearheaded by arts professionals coming from progressive art studios, opened on December 13th in Brooklyn. In addition to inclusive gallery programming, this non-profit collective aims to cultivate a communal space for contemporary artists with developmental disabilities to create work alongside artists without…
Read MoreRaquel Albarran: Amputation Farm
A robust visual language slowly unfurls across Albarran’s supersaturated drawings, her personal preoccupations translated here through densely applied colored pencil marks. Endearing yet grotesque tableaux are populated by impossible pregnancies, deconstructed cheeseburgers, disarticulated jaws, splayed toes and fingers, disembodied eyeballs, knobby phalluses, and prolapsed organs.
Read MoreByron Smith: Cover Girls at Institute 193
Byron Smith’s Cover Girls offers earnest and adoring tributes to glamorous movie, TV, and music industry icons. Smith’s drawings are typified by a hyperbolic allure, with an archetypal framework revealed collectively throughout the portrait series; this becomes most evident in simplified yet distinctive feminine features - elongated eyelashes radiating outward from almond-shaped lids, cherry red lacquered fingernails and lips, pronounced cupid’s bows, and wide, toothy grins....
Read MoreKenya Hanley
Kenya Hanley's works on paper have the feeling of both aspiration and interpretation. Bold, decisive drawings describe a world of abundance, encoded in color and imagined connections between realms of fiction and reality. Hanley works at LAND Gallery, a progressive art studio in the heart of DUMBO, Brooklyn, one of the premiere art neighborhoods in New York. From Land:
"Kenya’s work has been the subject of an exhibition at the flagship J Crew store on Madison Avenue, and the work has since become part of J Crew’s corporate collection. Kenya’s work also figures prominently in the collection of The Museum of Everything in London as well many private collections throughout the United States." (See More)