Jenny Cox

  

The decorative elements of Jenny Cox’s work explore the idea of embellishment as something reduced, authentic, and mysterious. Outlines, underlines, collections of dots, etc. access the romantic idea that meaning and value can be imbued in a work purely through the act of mark-making. Liza Lou, known for laboriously embellishing common objects with thousands of glass beads, has said “Everything has meaning. That's the philosophy of my work. Absolutely everything has meaning if you give it meaning.”  

In Cox’s work, these decorative elements are not a spectacle, they are bare, intuitive marks giving meaning through this universal language of embellishment to each part of a complex network of text and forms, whose personal significance to Cox is beyond speculation. 

Jenny Cox has been creating art at the Philadelphia progressive art studio Center for Creative Works since 2012.

See more of Jenny Cox' work here.

New Work: Susy Martin

Untitled No. 14, charcoal, graphite, and watercolor on paper

Untitled No. 11, charcoal and graphite on paper

Untitled No. 10, charcoal and graphite on paper

In order to fully appreciate this collection of drawings by Susy Martin, it’s helpful to rethink the practice of drawing in terms of its most basic fundamentals - ideas about technique or visual interpretation. The viewer must reimagine drawing in terms of its most essential and universal function - a practice of mark-making that becomes a reflection of a way of being. In every aspect of her life, Susy demonstrates her convictions, adorations, and general understanding of the world through repetition. From her daily routine to interactions with others reiterated verbatim each day, repetition is her foundation; it’s the means by which she navigates the world and the nature of these works. 

Rendering the subject of each piece is an important, yet brief step at the beginning of Susy’s process. Usually working from a photo reference, she creates an extremely reduced image that seems to refer to the photo without striving to recreate it, indexing a selection of elements as symbols. In one instance, when working from a photo that she was particularly excited about, she described the photo itself as an object, with a simple, symbolic rectangle repeated many times.

Installation view

Once this initial framework is drawn, the majority of her process is  methodical, redrawing over and over in alternating layers of charcoal, graphite, and occasionally watercolor. Although her marks often appear energetic and immediate, the image actually develops at a fairly slow pace (by steadily layering over the original marks of a drawing for hours), growing and changing with each iteration until reaching a point of resolution.

Susy uses photos of friends, found images in books, or in some cases (including a self-portrait) images of Tlingit people posed in regalia.

Installation view of ceramic pieces

“New Work”, a solo exhibition of Susy Martin’s recent drawings, is currently on view until June 29, 2015 in the gallery space of The Canvas, an integrated progressive art studio in Juneau, Alaska. Martin has shown extensively in group exhibitions at The Canvas over the past few years.

New Work: Susy Martin
June 5 - June 29, 2015

The Canvas
223 Seward Street
Juneau, Alaska