Helen Rae, one of the progressive art studio movement's rising stars, currently has recent work on view at White Columns in NYC, marking her first east coast solo exhibition. Rae is quickly emerging as an important figure in this movement; her work is striking, wildly popular, and at 78 years old, her practice is one of great dynamism and momentum.
Read MoreDan Michiels
Michiels' works are difficult to categorize; they're not exactly images or patterns, and not merely symbols or clearly narrative in nature. They are collections of information - setting up and exploring systems to create intensely detailed works comprised of spaces and passages, each asserting a strong sense of significance and purpose without explanation. Their intricacy demands close viewing, but careful examination becomes a mind-bending exercise that's overwhelming and fascinating. Dan Michiels has been making art at Creativity Explored in San Francisco since 2008. From Creativity Explored:
“Michiels' painstakingly creates meticulous renderings of the mind’s action only in reference to a ruler, paper, pencil, and an array of color, and how these elements organize themselves in two dimensions. This can be a liberally amorphous registration of shape and color, or a pulsating, rigorous grid structure carefully filled-in to create a tessellated all-over composition. “(more)
Helen Rae
Recent Drawings, at The Good Luck Gallery in LA, is a beautiful collection of colored pencil and graphite works on paper by Helen Rae. These drawings live in a space between the realms of representation and abstraction, most often realized as figures surrounded by ambiguous, pattern-driven environments resembling textiles or foliage.
Rae’s incredible abstractions aren’t merely expressive, stylized reimaginings of found photos and magazines; each drawing seems to engage and elevate its source image with drive and ambition. Rae seems to search through the image, read it like a rich text, and celebrate every passage - the shadow of a frame against the wall, heel of a shoe, zipper on the side of a bag, are all described with incredible detail and conviction. Inevitably, the figures and faces remain expressive and bold, even as they’re nearly lost in a cacophonous ecstasy of patterns.
Lucien Freud said that “...truth has an element of revelation about it. If something is true, it does more than strike one as merely being so...” In exactly this sense, Rae’s works are undeniable revelations. The impact of the clean, uniform installation is vibrant and specific, further emphasizing the singularity of each drawing.
Much like LA-based artist Eric Yahnker, Rae explores the limits of the often overlooked and rarely mastered medium of colored pencil. These achievements are the direct result of engaging in an uncommonly committed creative practice. Rae has been a studio member of First Street Gallery Art Center since it’s founding in 1990 - First Street’s Seth Pringle asserts, “Helen's focus and dedication in the studio are unmatched. She rarely misses a day and when she's in the studio she's always working diligently. The style and execution of her drawings have slowly but steadily evolved over the course of her 25 year career, growing in compositional complexity to its current state of mind-boggling beauty and intensity.”
The Good Luck Gallery is currently the only commercial exhibition space in Los Angeles devoted to self-taught artist programming. Owner Paige Wery was previously the publisher of Artillery, a contemporary art publication based in LA, for six years before opening the exhibition space in 2014. Wery became familiar with Rae’s work during an initial First Street Gallery studio visit; several people had suggested that she visit their location in Claremont, California due to the quality of art being produced under their long-standing, excellent program. Rae’s show has been wildly successful, selling out early and generating a waiting list for new work.
Over the past several years, interest in the work of self-taught artists (historically referred to as Outsider or Visionary artists) has gained momentum as the contemporary art world becomes increasingly pluralistic. Wery remarks, “It’s very exciting to see the attention that Outsider Art has received over the last few years. I give huge credit to Massimiliano Gioni, who included outsider work with contemporary work at the 2013 Venice Biennale. I think that made a huge difference. The fact that contemporary fairs are including my program and other outsider galleries is a sign that things are moving in the right direction. Museums are showing and accepting Outsider Art into their collections far more often. I’m proud to have joined the champions furthering the exposure and dialogue of self-taught art. The conversations with collectors, artists, dealers, and casual visitors about self-taught art has been extremely encouraging. It seems the art being shown and the dialogues taking place at The Good Luck Gallery are already making a difference.”
Rae’s work has been featured previously in various exhibitions in New York, Boston, Washington D.C., Scotland, Belgium, Japan, and extensively in California. Rae has been based in the Claremont area since 1938.
Helen Rae: Recent Drawings
April 18 - May 16, 2015
The Good Luck Gallery
945 Chung King Road (Chinatown)
Los Angeles, CA 90012
Wednesday – Sunday
Noon – 5PM and by appointment
Helen Rae at The Good Luck Gallery
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Helen Rae's first solo exhibition opens tomorrow at The Good Luck Gallery in LA. Rae is a founding member of the First Street Gallery Art Center, a progressive art studio in Claremont, California. Rae's pattern-based graphite and colored pencil drawings straddle the realms of representation and abstraction. You can find more images of Rae's amazing work on The Good Luck Gallery's website. Her drawings have been previously featured in various group exhibitions in California, Scotland, Belgium, and Japan.
Helen Rae
April 18 - May 16, 2015
Reception: April 18, 7-10 pm
The Good Luck Gallery
945 Chung King Road (Chinatown)
Los Angeles, CA 90012